Last edited by Mazujar
Friday, May 1, 2020 | History

2 edition of Hopfers of Augsburg found in the catalog.

Hopfers of Augsburg

Grunwald Graphic Arts Foundation.

Hopfers of Augsburg

sixteenth century etchers.

by Grunwald Graphic Arts Foundation.

  • 152 Want to read
  • 32 Currently reading

Published in [Los Angeles? .
Written in English

    Subjects:
  • Hopfer, Daniel, fl. 1493-1536.,
  • Hopfer family.,
  • Etching -- 16th century.

  • Edition Notes

    Bibliography: p. 10.

    Statement[An exhibition] presented by the Grunwald Graphic Arts Foundation, Print Gallery, UCLA Dickson Art Center, November 14 to December 11, 1966.
    Classifications
    LC ClassificationsNE2165.H63 G7
    The Physical Object
    Pagination30 p.
    Number of Pages30
    ID Numbers
    Open LibraryOL5564824M
    LC Control Number67068161


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Hopfers of Augsburg by Grunwald Graphic Arts Foundation. Download PDF EPUB FB2

Get this from a library. The Hopfers of Augsburg: sixteenth century etchers, [exhibition] presented by the Grunwald Graphic Arts Foundation, Print Gallery, UCLA Dickson Art Center, November 14 to Decem [Grunwald Graphic Arts Foundation.].

The Hopfers prospered in Augsburg, and by Daniel owned a house in the city centre. He sat on the committee of the Augsburg guild of smiths, which at this time included painters and etchers, probably because these crafts were uniquely connected in the town, one of Europe's principal manufacturing places of arms and armour.

Sur deux personnages d'une gravure de Daniel Hopfer; Académie royale de Belgique, Bulletin de la classe des Beaux-Arts (tome XLIV, /), extrait by SCHOUTHEETE DE TERVARENT (Chevalier)de and a great selection of related books, art and collectibles available now at Full text of "Daniel Hopfer von Kaufbeuren, Meister zu Augsburg bis " See other formats This is a digital copy of a book that was preserved for generations on library shelves before it was carefully scanned by Google as part of a project to make the world's books discoverable online.

Daniel Hopfer's etching The Peasant Feast has an unexpectedly complex genealogy, which provides a bird’s-eye view of sixteenth-century German visual culture.

Hopfer was an almost exact contemporary of the well-known painter and printmaker Albrecht Dürer, whose enduring legacy was already deeply felt in.

Imperial Augsburg provides a broad introduction to a rich era of German Renaissance printmaking and draftsmanship. This intriguing exhibition marks a collaboration between curators from the National Gallery of Art and The Metropolitan Museum of Art.

The accompanying book of essays divides evenly RENAISSANCE QUARTERLY. Augsburg sculptor Hans Daucher and in the innovative etchings from the Hopfers, a ourishing workshop in Augsburg that also reproduced designs by Raphael, Marcantonio Raimondi, and Dürer.

Understandably, Böckem expresses warm enthusiasm for Barbari s work, but she does so without overstating the evidence for his in uence or achievements. Her keen. An old master print is a work of art produced by a printing process within the Western tradition.

The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that grew rapidly alongside the artistic print from the 15th century onwards.

An etching by Urs Graf bears the dateand some of those by the Hopfers (a famous Augsburg family of armourers) possibly belong to the preceding decade; but that being said, Durer's etchings, which all date between 1 5 1 5- 1 5 1 8, are among the earliest works in this process.

The Hopfers of Augsburg: sixteenth century etchers: [an exhibition] presented by the Grunwald Graphic Arts Foundation, Prints Gallery, UCLA Dickson Art Center, November 14 to. Catherine Bindman You have both worked on major exhibitions incorporating lots of etchings in recent years: “The Mysterious Landscapes of Hercules Segers” in ; “The Power of Prints: The Legacy of William M.

Ivins and A. Hyatt Mayor” in ; and “Imperial Augsburg: Renaissance Prints and Drawings, –” at the National Gallery inpart of which was dedicated to the. dry points, by the Master of the House-Book and by Dfirer, are included, as well as etchings in the strict sense of the term. The twenty-nine subjects reproduced illustrate the work of the Hopfers, Burgkmair the younger, Sebald Beham, Altdorfer, Hirschvogel, and Lautensack, and also include speci-mens of Ziindt, Solis and Amman as representatives.

The fourth book elucidates the idea of perspective, and contains pictures of an instrument devised by the author, “which will be found particularly useful to persons who are not sure of drawing correctly.” This was not the only invention of Dürer’s; for there still exists a small model of a gun-carriage in wood and iron, made by him, and.

The emblem of Augsburg. Dimensions. Height: cm plate, Width: cm plate, Height: cm sheet, Width: cm sheet. Historical context note. In the year of the date given on three of the five prints recorded by Bartsch by this artist, Bartel Beham produced a pair of engravings of Charles V and Ferdinand I.

Exhibition held at the Armand Hammer Museum from Jan organized and circulated by Independent Curators Incorporated (ICI). a book by Samuel Beckett and Jasper Johns. Folder Decades of Elegance checklist. n.d. The Hopfers of Augsburg: Sixteenth Century Etchers.

Nov Dec Folder After he began working in Augsburg for Maximilian I (), Hopfer advanced from making designs for armor to printmaker, making prints of a variety of subjects, from portraits and folklore scenes to biblical and allegorical topics.

51 The museum’s Battle between Two Tritons bears the typical Hopfer signature in the lower center of the. Old master print Last updated Aug "The Three Crosses", drypoint by Rembrandt,state III of IV. An old master print is a work of art produced by a printing process within the Western tradition.

The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative.

Full text of "Der Führer durch das Historische Museum zu Dresden, mit Bezug auf Turnier- und Ritterwesen und die Künste des other formats. Daniel Hopfer. Ein Augsburger Meister der Renaissance. Eisenradierungen - Holzschnitte - Zeichnungen - Waffenätzungen. von Metzger, Christof: und eine große Auswahl ähnlicher Bücher, Kunst und Sammlerstücke erhältlich auf In: Tracy C.

Davis, Stefka Mihaylova (ed.): Uncle Tom's Cabins - The Transnational History of America's Most Mutable Book, Ann Arbor, USA: University of Michigan. EYSSEN, E. (), Daniel Hopfer von Kaufbeuren, Meister zu AugsburgHeidelberg.

HIND, A. (), Catalogue of Early Italian Engravings in the Department of Prints and Drawings in the British Museum, 2 vols., Londres. [Insert -- In Zechariah, near the end of the book, the prophet tells that when Jesus' foot steps down on the mount of Olives (east side of Jerusalem), at the last Day just as Jerusalemites are about to be wiped out by Armageddon, the rocks will break open in a crevice leading from Olives to an Azel location.

Italian Catalog Final - Free ebook download as PDF File .pdf), Text File .txt) or read book online for free. Great catalog about art in the museum in Utah, United State.

In this catalog, you can see a great analysis, of many pictures. Hopfers Bedeutung liegt, neben dem breiten Spektrum seiner Themen (Religiöses, Mythologie, Alltagsdarstellungen, Ornamente etc.), vor allem in der Verarbeitung aktueller italienischer Renaissancevorlagen; sein druckgraphisches Werk ist ganz wesentliche Grundlage für die rasche Verbreitung der Renaissance in Deutschland.5/5(1).

Ihm wie seinem Sohn Hans stellte Kaiser Ferdinand I. in einem Befürwortungsschreiben an den Rat von Augsburg für den letzteren u.

folgendes Zeugnis aus: „. wie weillendt sein Vatter und Er unseren lieben Herrn, Anherrn und Bruedern Kaiser Maximilian und Kaiser Karin hochloblicher Gedechtnuss mit mallung der Harnasch, dessgleichen dem.

Der Inhaber der in Hopfers Verzeichnis sämtlicher Kupfer- und Vignetten-Abdrücke von J. Meil (Berlin ) unter Nr. aufgeführten»Anmeldekarte für Splittgerber«(Abb.

) stammte wohl sicherlich aus der bereits erwähnten Bankierfamilie, darauf deutet schon sein Vorname David, den er mit dem Begründer des Bankhauses gemein hatte.

Augsburg ist der Ort, an dem wir in der Person Daniel Hopfers (Abb. 4) das erste Auftreten der E. feststellen können, wenn die Datierung der bisher als früheste datierte geltenden E.

von Urs Graf (His 8; ) durch Hans Koegler (Beschr. top 8 most popular box money book brands and get free shipping. top 8 most popular can baler machine list and get free shipping. top 8 most popular cap yamaha r1 ideas and get free shipping. top 8 most popular car pc list and get free shipping.

Collector`s Progress - International League of Antiquarian Booksellers „Collector’s Progress“ Buchwesen, Historisches, Weinbau, Werkausgaben und Anderes KATALOG 8 Frühjahr Antiquariat Christian Strobel Gebath Hang 9 D Irsee Telefon: +(0) 16 82 Telefax: +(0) 16 97 e-mail: [email protected][email protected].

The anonymous auther calls himself a carpenter. With a song in nine staves at the end. Varia (23) [Boeham von Neuhaus, Matthias]. Ain nutzliche, vnnd für den gemainen Man, genůgsam gegründte vnderricht, wie sich dieser zeyt der Pestilentz halben zuhalten sey.

(Augsburg, durch Philipp Ulhart), ohne Jahr [um ]. 18 nn. Bll. (das letzte weiß). Uncle Tom's Cabins - The Transnational History of America's Most Mutable Book, Ann Arbor, USA: University of Michigan Press,S.

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